Instead, she seeks to enable a collective photographic drawing of what is present: an embrace of seaweed and a broken piece of a plastic crate, bird eggshells and rusty nails, perhaps remnants of trappers’ huts. She then leaves the paper in the Arctic sun for hours, allowing the drawing—the imprint—to pass.
What emerges resembles a self-print of this largely involuntary encounter. Outlines appear; seawater-wet algae cling to the photographic paper; traces, cracks, and shapes of plastic fragments are registered. The silver gelatin emulsion reacts with algae, salt water, and plastic, partially agitated by the wind.